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Spares

by Matt Ellin

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1.
So this is the house Where the two lie against the wood grain And they never go out Only roast in the heart of a flame From the sear of the sun From the brick that obscures the big blue And the brick, it goes "thud" And now the rest of the world is in view The two play tug of war Over which placemats best suit the table But they never feel floored When their domestic lifestyle is labeled A fluke and a fraud And a conflict of interest for others When your friends think you're dead I mean it's probably best not to bother So they both stretch their hands On the stairway, examine their fingers All calloused and cold Still it's better this way than a splinter So I'm moving out west Or at least until I have recovered So I can be more like them On the road, on the verge of another Nervous breakdown, I never thought I could ever be needed But the voices are loud through the walls of the garden of eden
2.
Love of Ages 02:26
Anne was an aspiring actress working in a cafe called Muy Aquario She got a face tattoo of her social done down in the spokes of the barrio And by the time she turned 20, she'd been hired to ghostwrite the autobiography of frozen rain She went through so many insomniac poet boyfriends, and all of them surrendered to themselves just the same So she said, "Love isn't fun, and love isn't free, no one in the universe will ever love me" Pain of ages I can hear you All wrapped in your linens Yeah, I know Pain of ages Now she's sleeping in a hut in the country working in a city built from steel guitar pride See her smoking a cigar on the old back porch, and all smiling and triple-fried She gives way to no lovers, no, it isn't for her, and she will never feel sorry for herself anymore She just watches Evil Dead 2 on DVD and builds small clay models of the earth's inner core She's into igneous rocks, she likes 70s socks Her friends all took care of her when she got chicken pox A love of ages I can hear you And all crushed in your pillows Yeah, I know A love of ages I can hear you All wrapped in your linens Yeah, I know A love of ages
3.
A marriage of seagulls and saltwater, fabric and lace Befell me at 12pm, I remembered that I had a face And enveloped in ocean, encrusted inside a suitcase When you're in bumfuck nowhere, it's tough Not to feel out of place There's no sign of the city admidst treated ash water fuzz Just a vague recollection of who I am and where I was In the studio apartments where lines and shapes bicker and buzz And I let the gulls have at my ankles Just because If only my wife knew I was captive to sea, she would start up the car from the shore I'm inclined to break out in a song or a shout But I don't have free will anymore No, I don't have free will anymore At the height of the trip, an invaluable thing that I've learned Is that water, in spite, stops for no one And in it, my body will burn
4.
A cold streetlamp-lit parking lot, a remnant of a long forgotten boot lies to the center left And it's thinking of its travels, the rest of it that unravelled, yes, a cavalcade of buddies then subjected to cruel deaths And the wind that screams inside its face abides by no apparent pace, defaced as an arhythmic din, adjacent to the rut it's in At mass, the shadow of a crane will manifest in frozen rain and take it through the parlors and the parks It got dark And then it never got light again, I'm drawing pictures in the condensation, and you can't be my friend anymore So then hanging by a velcro strap, the boot resumes its passage past the purple grass and yellow trees Carnations in a windowsill which leave it feeling lovelorn still will wilt approximately in the span of seven weeks And when the businessmen go out to drink, our hero wonders what they think of hovercrafts and flying cars, the crane's grip loosens at the stars A misfit star spike pins the strap, impaled, the boot's heel flails and flaps Its journey meets a sudden end, we'll never hear from it again God never had a plan for it, its life reduced to piss and shit A comedy of errors still is mine

about

this an EP consisting of four original folk songs by Matt Ellin

Matt Ellin - Composition, vocals, guitar
Daniel Neiman - Engineering, mixing, mastering, piano

Cover art by Kegan Copeland

credits

released April 24, 2018

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Matt Ellin New York, New York

Singer-songwriter, guitarist, bassist, Theophobia member, performer

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